Thélios on framing the future of luxury eyewear
Thélios Chief Brand and Product Officer Sarah Osculati and Head of Travel Retail Alessandro Eucalyptus discuss the luxury eyewear specialist’s travel retail ambitions and its potential to elevate the wider luxury sunglasses category.
In Rome recently, LVMH eyewear division Thélios welcomed retailers from all over the world at the magnificent Palazzo Brancaccio to introduce its latest eyewear styles.
It was a suitably grand setting for Thélios, founded in 2017 by luxury goods group LVMH in a partnership with eyewear manufacturer Marcolin (since bought out). During the event, Thélios unveiled a new visual identity and debuted a new company logo with the baseline ‘LVMH Eyewear Excellence’.
Thélios designs, produces and distributes sunglasses and optical frames for some of the luxury powerhouse’s most prestigious Maisons, including Dior, Fendi, Celine, Givenchy, Loewe, Stella McCartney, Kenzo and Fred.
Thélios may be a fledgling player in the burgeoning global eyewear category but the star-studded power of its brand portfolio, and the heavyweight backing of luxury goods giant LVMH, mean it is an equally formidable one.
Thélios had earmarked travel retail as a key growth and visibility channel. But crisis, in the almost definitive form of the global pandemic, struck and the company’s heady ambitions had to be put on hold.
Assessing the brand’s current position, Head of Travel Retail Alessandro Eucaliptus remarks: “2023 is the year we’re going big in travel retail. We’re pushing in Asia Pacific where we’re forming a new local team. In 2022, we’ve enjoyed very good results in Europe, where COVID eased earlier than Asia. Now, Asia Pacific is our geographical focus for the next two years.”
Nowhere in Asia has shone more brightly throughout the pandemic than the offshore duty free market in Hainan and, according to Eucaliptus, the island offers plenty more promise for Thélios.
“Hainan is one of the shining lights of travel retail. It is a very interesting destination with lots of luxury brands investing there,” he says. “In Hainan, you can see the best of the best in terms of retail investment and what brands can show in-store. Hainan is one of our key priorities, with Haikou and Haitang Bay being two of our key locations.”
Maintaining luxury messaging from product design to communication and merchandising is a key pillar of the Thélios approach
A total luxury immersion
Thélios hosts a product convention three times yearly to immerse buyers and retailers into the rich worlds of its glittering luxury-brand portfolio.
The Rome showcase shone the light on Fendi, Dior, Givenchy, Loewe, Kenzo, Stella McCartney, Fred and Céline, with each brand brought to life through immersive branded zones. Some of the products featured will be debuted in global travel retail during the eyewear specialist’s first showing at the upcoming TFWA World Exhibition in Cannes.
Key styles include Dior Signature, CD Diamond, Fendi First, Fendigraphy, Celine Triomphe, Givenchy GIV Cut and Loewe Anagram among others. Eucaliptus says: “Thélios is delighted to reveal its luxury Maisons’ eyewear statements for the travel retail channel. We are looking forward to the TFWA event in Cannes, where we will be showcasing our full GTR ranges for new and existing partners from around the world.”
“Sunglasses is one of the fastest-growing categories in travel retail but we remain with very old logic in terms of space” — Alessandro Eucaliptus
The 3D printed Angular-frame acetate sunglasses from Givenchy represent a new frontier in eyewear technology and production
From colour palette, product design, merchandising and visuals, the respective areas during the Rome showcase offered a clear reflection of the distinctive luxury brand codes of each house. “This is what I mean when we say we want our clients to be really immersed in the brand experience,” Thélios Chief Brand and Product Officer Sara Osculati explains.
“For example, we have different pop-up activations and windows in-store. We’re always looking at excellence of quality and ideas because that is what differentiates us.
“We’re committed to ensuring that every single piece of sunglasses or optical frame brings the brand equity to life. We will never be a company that just stamps our logo on different frames. We want our consumers to immediately understand that this is a Thélios product, no matter what environment it is in.”
Givenchy sunglasses are a key example of Thélios’s innovation strategy. “Innovation is one of our key pillars,” Osculati explains. “Research and innovation is essential in any product strategy as it allows a fluid dialogue between technical and design. Givenchy is a good example because we were able to use 3D printing for commercial production. We’re trying to innovate in other activities too and are experimenting with virtual try-on, filters and 3D rendering.”
Commenting on how Thélios’s approach differs across the brands in its portfolio, Eucaliptus says: “For Loewe, we are testing the brand and convincing retailers to believe in this brand, which has a strong cult following.
“Loewe is available in Asia Pacific travel retail and will launch in the top fashion-forward clients in travel retail in EMEA.
“Dior is our biggest brand in Asia Pacific travel retail,” he adds. “In 2025, 25% of the world’s luxury business will come from China, and Chinese consumers really love Dior. Our clients are asking us to be more engaged in presenting Dior and our other brands differently. So, we’re looking to enhance the travel retail shopping experience by adding furniture and other key brand elements that consumers want to see.”
Thanks to the power of its portfolio, Thélios can offer everything from travel retail-exclusives to cross-category brand collaborations. “Thélios has vertical integration across the board, which means there is a lot of synergy with our business and the fashion houses,” Osculati explains.
“In travel retail, we’re trying to work on cross merchandising with our brands in some of the most important locations. There are a lot of opportunities to explore thanks to our powerful portfolio.”
The Fendi brand zone in Rome was designed to mimic the brand’s runway show and showcases Thelios’ approach to immersive design and merchandising
Selective distribution
As it intensifies its travel retail focus, Thélios is simultaneously doubling down on its selective distribution approach, Eucaliptus explains.
“We want to grow, and have very big ambitions in travel retail. However, we don’t want to be everywhere. Instead, we want to be perfectly expressed in the right locations,” he says.
“One of the most important pillars for Thélios is selective distribution. This is a very worldwide approach and travel retail is part of this logic. Across all our doors we insist that we need to have the space to express the brand fully.
“We are looking at expanding in hub airports that can catch the right consumers,” Eucaliptus adds. “Doha [Hamad International] is a great example because LVMH recently unveiled the first Louis Vuitton café there. We are strongly investing in Asia Pacific, especially in Hainan, Hong Kong, Macau and Bangkok. In Europe, we’re going to have better visibility in locations like Heathrow. Our job is to spectacularise the sunglasses shopping experience in travel retail.”
Osculati echoes the sentiment. “It’s not about the number of stores,” she adds. “Our mission has been very clear from the beginning. It is all about consistency between excellence of the product, vertically integrated production, luxury messaging, communication and strategy. We have criteria to follow when selecting locations to open new stores and retailers to partner with. We believe in creating partnerships where our partners know how to play the game and understand what we need.”
Maintaining luxury codes
Digitalisation is an increasingly important topic in the retail world, but Thélios takes a specific approach to embracing digital. “These days, everybody is talking about digital,” Eucaliptus explains. “Our point of view is that we need to know what we want from digital before we invest in it. What I’ve realised is that going fully digital sometimes takes something away in terms of brand value.
“Thélios wants to stay true to the elements and codes of the Maison, which is why we’re pushing our customised furniture and prime materials in our stores. Having complementary digital elements is important, but without sacrificing the power of the brands. Digital is great, but not when it means adopting a generic approach across all brands.”
Osculati says digital is just one part of the luxury equation. “It’s all about consistency, long-term ambition, respecting and understanding brand equity, and conveying all that through the visibility of the brand,” she comments.
“There are formulas you can apply like the right product mix, window displays, visual merchandising story-telling and digital experiences – but when it really comes down to it, it’s all about expressing brand equity in a luxurious way.”
Blockbuster animations have become part and parcel of the travel retail landscape and, according to Eucaliptus, Thélios is adopting a highly selective approach to animations as well. “We have a big high-profile animation area in Hainan which was designed to be impactful without pushing or promoting our products in a mass-market way.
“We want to maintain our luxury statement and engage the consumer differently. We believe that we are the best-in-class in luxury and so we have to deliver luxury elements and messaging consistently. Otherwise, our luxury messaging might get muddled in the delivery. Thélios is committed to maintaining a luxury approach no matter what, or we risk going back to how it was in the past – where sunglasses were not given much attention.”
Brand expression is a key tenet of the Thélios ethos so the company only seeks locations where such expression can enjoy full voice
Better, not bigger
Sunglasses ranks among travel retail’s highest ROI categories yet is often afforded the least space, the company notes. “Sunglasses is one of the fastest-growing categories in travel retail but we remain with very old logic in terms of space,” Eucaliptus explains. “We need to convey a luxury message to consumers, and this will eventually lead to conversion and long-term brand loyalty. This is what we’re trying to do in terms of investment. We want to change the way that retailers view the category.
“Our partners and colleagues keep talking about bigger and bigger spaces, but what we really need are not just bigger spaces but more qualitative spaces. We need bigger and better spaces otherwise you risk not catching the right consumers.”
Osculati adds: “The sunglasses category is present in many different channels, but in travel retail specifically, it has fallen behind other categories in terms of brand expression. If we look at how travel retail expresses perfumes & cosmetics brands, there is a big gap.
“Our dream is to build partnerships with operators in a way where we are able to express our brands fully – which we believe will offer something special to the final customers because it sells the luxury dream.”
“We are trying, testing, learning and listening, talking with consumers and retailers who believe that they have to invest in luxury with us,” Eucaliptus adds. “The win/win approach is the best approach to long-lasting mutually beneficial partnerships and travel retail is a great channel for that.”
Offering a final message to the industry, he says: “We want to elevate the category. We believe that through good partnerships and dialogue that we can change the approach to sunglasses and drive consumers to more luxury experiences. Our ambition is to create something new and get rid of the old logic of ‘sunglasses corners’ in travel retail.”
Thélios to showcase luxury eyewear portfolio at TFWA Cannes show
During its debut showing at the TFWA World Exhibition in Cannes, Thélios will be introducing new eyewear styles from Dior, Fendi, Céline, Givenchy and Loewe.
Dior
Dior Signature was introduced in the fall/winter 2021 eyewear collection and has since become one of the Maison’s essential styles.
The cat-eye sunglasses pay tribute to the Dior Book Tote handbag and is photo-engraved and lacquered on the arms. The front features golden dots and lines, which transition to the temple.
The CD Diamond line offers timeless silhouettes inspired by the Maison’s archives. The front is crafted in bold acetate with sharp angles embellished with CD Diamond pins, while the temples feature a metal wire core engraved with the CD Diamond pattern.
Fendi
The Fendi First eyewear line made its debut in the fall/winter 2022 fashion show in a metal style. Today, the revamped acetate line introduces bold new styles which take inspiration from the Fendi First bag. The sunglasses’ elegant rectangular shape with contrasting oval gradient lenses feature the brand’s F logo on the temples.
The Fendigraphy sunglasses were inspired by the new hero Fendi bag. The futuristic eyewear range features a rectangular silhouette in bold acetate. The temples feature a super-sized Fendi script logo on a tone-on-tone matte metal line.
Céline
Céline Triomphe features an elegant oval silhouette in acetate. It is part of the Maison’s Triomphe line and features a gold Triomphe logo on the temples. The logo is taken from the Céline archives by Creative Director Hedi Slimane. It symbolises the chains encircling the Arc de Triomphe in Paris and is inspired by neoclassical and vintage motifs.
Givenchy
The Givenchy GIV Cut was first introduced in the men’s spring/summer 2023 show and featured again during the women’s summer collection. The eyewear style represents a new frontier in the category as the entire line is fully 3D-printed. The fashion-forward design features dramatic angles and extreme volumes with the brand’s G logo on the temples.
Loewe
The Loewe Anagram sunglasses is inspired by Loewe Creative Director Jonathan Anderson’s natural design inspirations. Part of the Anagram sunglasses family, the style features the Loewe logo on the temples and is available in a range of pastel and nature-inspired colourways.
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The Moodie Davitt eZine
Issue 327 | 29 September 2023
The Moodie Davitt eZine is published 14 times per year by The Moodie Davitt Report (Moodie International Ltd). © All material is copyright and cannot be reproduced without the permission of the Publisher. To find out more visit www.moodiedavittreport.com and to subscribe, please e-mail kristyn@moodiedavittreport.com