Airports as ArtPorts


Where art and travel converge: Düsseldorf Airport redefines the guest experience

(Continued)

They’re very strong pieces. Even the title of Paul Schwer’s work, 229 POB, Flying as a Quest for a Place of Longing, ties into what I was saying earlier about airports being emotional spaces. Longing is a big part of that. And the work called Derelict – again that’s a really strong, really bold statement.

Tankred Stachelhaus: We also have Anne Berlit, who worked with prisoners from Essen Prison, just in front of the gate where flights depart for regions where not everybody is free.

Pia Klauck: This exhibition will likely run until the end of October. It was a lot of work to get the artists in and ensure their works aligned with our vision and theirs. So, we’re probably going to take some time and probably do it again next year. Of course, you need to have the right artists who are willing to work together on this. We hope to bring it back again, maybe even expand.

If you don’t have the right space for them to express themselves, it’s challenging. For example, having a view of the runway isn’t something we have in every space, as those spaces are usually very fast turning.

So we’re also thinking about the next step, like going into different installations, maybe light installations, spreading it more across the terminal, and possibly even going airside, which is always a bit more difficult.

We don’t want to repeat the same thing because that’s not art; it needs to be a new interpretation every year. So, we hope to have something again next year.

Anne Berlit’s Reisende (Traveller) is a standout feature of the Art Walk exhibition. The pillars represent individuals from various backgrounds in terms of socialisation, education and nationality. The installation was created with the help of inmates from Essen Prison.

On the topic of local versus national, I’ve been writing a lot about this lately, mainly regarding food & beverage. In the USA there’s a big move towards genuine local. But it is quite difficult for F&B operators because they make their real money from proprietary brands, where they have better margins. In Asia, according to an interview I did with the head of SSP in the region, it’s a bit different: there’s more focus on local, uber-local or international. What’s the feeling in Düsseldorf?

Pia Klauck: I’m smirking a bit because I feel like we’ve been through this before. You need the big ones, like McDonald’s and Burger King; that’s for sure. And there’s a huge market for it, especially for international customers or even customers with different ethnic backgrounds. If you want chicken, you want chicken.

But being so connected to the region, we’ve always had our small Turkish place because the Turkish community is big in this region. You can’t just have a generic, non-authentic, built-up Turkish Delight situation from SSP, Lagardère or whoever. You need people who actually speak Turkish behind the counter and bring that authentic atmosphere, be the life of the party.

We’ve always had that. We have the German bakery. Germany is a big bread world. So you have to have that at the airport. Of course, there are the bigger brands and the franchise brands, but we made a less commercial decision to also have a small brand.

We also have a traditional Düsseldorf bakery brand called Terbuyken with two locations. This sets us apart from some other airports, but it’s often difficult because it’s a hard decision commercially. Smaller brands are never going to be able to pay like the larger players, let’s be honest.

It’s a balance: we try to implement local brands as much as possible. Sometimes we even bring franchises together. For example, we have a local brand which wants to come into the airport but doesn’t know how, and we put brought them together with SSP to create a new coffee concept, bringing something from downtown into the airport. That sometimes works. It’s easier for us, however, than the SSPs.

Especially in F&B – and we’re in the middle of a tender process now, so there will be news at the end of this year – the local element plays a huge role. Retail is a bit more difficult because of the margins, and it’s not always popular to bring in a small retail brand to a Lagardère and make a franchise out of it.

Usually it’s the people who make the difference. For example, we had a perfume pop-up run by a local entrepreneur, and you could see the difference in sales when she was on-site versus when her employees were there.

During the Euro 2024 [football] tournament, we set up a space for sports fans with jerseys from different regional soccer teams, because it’s so big here, and people watched the games together and debated about the best team. That’s a very German thing – arts and sports. People watched soccer together in the space on a huge TV and took pictures in front of their favourite team. Our CEO even sat with passengers who were just walking in, watching and just having a conversation.

We have something called the Space Walk... a collaboration with a young entrepreneur with a store in Düsseldorf downtown who specialises in really trendy sneakers that are hard to find, like, say the Adidas or Nike with special colours. And, of course, those people are never going to work together with a Lagardère, that's not how it works. So you need to make it easier for these little stores to come in, be able to just stay there for a couple of months, try it out, almost like a promotion that says, “This is what we do. This is what we can do.” With F&B, we always did it, and we try to emphasise it even more in retail now.

Paul Schwer introduces 229 POB (Persons on Board), depicting flying as a quest for a place of longing

That’s great. Pop-ups give you the flexibility to do that, and if you can remove some of the barriers to entry – and we all know there are many airside barriers – then you’ve got a chance. It gives your travellers a surprise when they come to the airport, doesn’t it?

Pia Klauck: Having a strong landside presence is good and bad at the same time because the big brands might say, “What should we do with this?” because everywhere else in the world it all happens airside. On the other hand, for smaller brands it’s a huge opportunity to just come in and try something new.

Giving our travellers a surprise is exactly what we’re trying to do.

The bigger brands are starting to see how important [bringing in the local touch] is. We are seeing it now in our tender talks. For example, Gebr. Heinemann came back in last year, and they’re developing really well. We work closely with the local team, and now they have the ability to bring in local brands. This was always a discussion we had [in the past] because Heinemann’s system usually required a brand to be displayed across all locations, but that doesn’t always make sense with local products.

Now they have a campaign called ‘We love DUS’, emphasising they are trying to make a difference through those local products. This is something we’re always working very closely on. The approach requires more work because the processes are different. So you really have to have good partners and you have to have a team. However, we’re now more flexible post-COVID.

Sometimes it’s hard and we’re still struggling because there’s the huge infrastructure and the huge airport machine. Even if it takes six weeks to organise something that would take three weeks with a big brand, we are going to take that time. We have the freedom to do that now, and it’s fun to create something new.

Floating in the Air from Olimpia Velasco Ruiz

Moving back to F&B, I was in Paris a few weeks ago and met Dag Rasmussen, Chairman & Chief Executive Officer of Lagardère Travel Retail. We talked about the three legs of their business. Duty free is mixed worldwide, but F&B – the need to eat – is never going away. Travel essentials – the term says it all, doesn’t it – are also strong. So, it’s interesting that those have become really strong legs for Lagardère.

Duty free is more about what you desire, but the balance is interesting, and there’s so much focus on food. I can’t remember a time when there was more focus on F&B; the Autogrill-Dufry deal underlined that.

Pia Klauck: Absolutely. We have two tenders: the big one for books, press and souvenirs, which includes 12 spaces; and another for F&B, with another 11 or 12 spaces. It is huge for us. It’s going to change the face of the airport a lot when we change that around in 2026. We’ll keep you posted.

Lagardère Travel Retail and Marché [acquired by Lagardère Travel Retail in early 2023] are huge for us. We’ve had a management contract with Marché for over ten years now, and Lagardère was more involved in retail. Now that they’ve taken over Marché, everyone’s wondering how it will change the Marché DNA, which is very hospitality-centric. You can see Lagardère’s influence after taking over, and it’s exciting to see what will happen.

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The Moodie Davitt eZine

Issue 340 | 4 November 2024

The Moodie Davitt eZine is published 14 times per year by The Moodie Davitt Report (MA Travel Retail). © All material is copyright and cannot be reproduced without the permission of the Publisher. To find out more visit www.moodiedavittreport.com and to subscribe, please e-mail kristyn@moodiedavittreport.com

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